The beauty in this song lies not in the melody or rhythm, because frankly, there's little song structure or timekeeping to be found here. It flows freely and frantically in the time-honored spirit of improvised music. What sets it apart is the way Fox and Eisenbeil form tonalities that are rooted in late-sixties hard psychedelic rock much more than anything you'd find from acoustic free jazz.
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"Fox’s approach on keyboards places the music squarely in the creative improvised sector and is anything but a compromise to popularity. He produces a plethora of diverse keyboard sounds; his attack is fully liberated, and his solos are well-designed, spontaneous outpourings." -
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